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Untitled, 1982
Oil on canvas
74.5 x 101.5 cm (29 3/8 x 40 in) framed
Signed on recto
© Estate of Bona de Mandiargues - Photo: Michael Brzezinski
Courtesy Alison Jacques, London
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Bona de Mandiargues
Untitled
, 1982 Alison Jacques
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Untitled, 1979
Oil on canvas
132.5 x 82.5 cm (52 1/8 x 32 1/2 in) framed
Signed on recto
© Estate of Bona de Mandiargues - Photo: Michael Brzezinski
Courtesy Alison Jacques, London
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Bona de Mandiargues
Untitled
, 1979 Alison Jacques
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Pass Them On and Pass Them By, 2024
Archival inkjet print
21 3/8 x 14 1/8 inches (54.3 x 35.9 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Pass Them On and Pass Them By
, 2024 Luhring Augustine Chelsea
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Peter, Sam, and Scott, 2026
Archival inkjet print
32 x 23 inches (81.3 x 58.4 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Peter, Sam, and Scott
, 2026 Luhring Augustine Chelsea
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Time and Money, 2026
Archival inkjet print
30 1/2 x 23 inches (77.5 x 58.4 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Time and Money
, 2026 Luhring Augustine Chelsea
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Time and Place, 2024
Archival inkjet print
35 x 24 1/8 inches (88.9 x 61.3 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Time and Place
, 2024 Luhring Augustine Chelsea
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Tears are Not Enough, 2024
Found and made objects and framed archival inkjet print
Overall: 48 x 36 inches (121.9 x 91.4 cm) Framed element: 29 3/4 x 18 5/8 inches (75.6 x 47.3 cm)
Edition of 3 unique versions
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Tears are Not Enough
, 2024 Luhring Augustine Chelsea
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Enhanced Gay Streisand, 2026
Archival inkjet print
16 5/8 x 14 inches (42.3 x 35.6 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Enhanced Gay Streisand
, 2026 Luhring Augustine Chelsea
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Untitled (De Trop Capitalism for Scott B), 2026
Archival inkjet print
38 1/2 x 26 inches (97.8 x 66 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Untitled (De Trop Capitalism for Scott B)
, 2026 Luhring Augustine Chelsea
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Turning, 2024
Archival inkjet print
32 7/8 x 24 1/8 inches (83.5 x 61.3 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Turning
, 2024 Luhring Augustine Chelsea
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Say Hello/Wave Goodbye, 2026
Archival inkjet print
40 x 27 inches (101.6 x 68.6 cm)
Edition of 3 plus 2 artist's proofs
© Joe Mama-Nitzberg
Courtesy of the artist and Luhring Augustine, New York
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Joe Mama-Nitzberg
Say Hello/Wave Goodbye
, 2026 Luhring Augustine Chelsea
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La Lampe philosophique (The Philosopher’s Lamp), 1936
Oil on canvas
19 3/4 x 26 inches (50 x 66 cm)
© 2026 C. Herscovici/Artists Rights Society (ARS), New York
Courtesy Private Collection, Brussels, Kingdom of Belgium
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René Magritte
La Lampe philosophique (The Philosopher’s Lamp)
, 1936 Gagosian
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L'Apparition (The Apparition), 1928
Oil on canvas
21 1/4 x 28 3/4 inches (54 x 73 cm)
Private Collection
© 2026 C. Herscovici/Artists Rights Society (ARS), New York
Courtesy Brachot Gallery
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René Magritte
L'Apparition (The Apparition)
, 1928 Gagosian
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L’Équateur (The Equator), 1942
Oil on canvas
23 1/2 x 28 3/4 inches (59.5 x 73 cm)
Donation of the Ulla and Heiner Pietzsch Collection to the State of Berlin / Nationalgalerie, 2010
© 2026 C. Herscovici/Artists Rights Society (ARS), New York - Photo: Jochen Littkemann
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René Magritte
L’Équateur (The Equator)
, 1942 Gagosian
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La Marche triomphale (The Triumphant March), 1948
Oil on canvas
25 5/8 x 21 1/4 inches (65 x 54 cm)
Private Collection
© 2026 C. Herscovici/Artists Rights Society (ARS), New York
Courtesy Brachot Gallery
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René Magritte
La Marche triomphale (The Triumphant March)
, 1948 Gagosian
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La Voix du sang (Blood will Tell), 1948
19 5/8 x 27 inches (49.8 x 68.6 cm)
© 2026 C. Herscovici/Artists Rights Society (ARS), New York - Photo: Fredrik Nilsen
Courtesy of a Private Collector, CA, USA
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René Magritte
La Voix du sang (Blood will Tell)
, 1948 Gagosian
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Le Lieu commun (The Commonplace), 1964
Oil on canvas
39 3/8 x 31 7/8 inches (100 x 81 cm)
Private Collection
© 2026 C. Herscovici/Artists Rights Society (ARS), New York
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René Magritte
Le Lieu commun (The Commonplace)
, 1964 Gagosian
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De la serie Formas de desaparecer, 2026
Ink, tempera, acrylic paint, pastel, color pencil on Hahnemühle paper
84 x 126 cm (33 1/8 x 49 5/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Formas de desaparecer
, 2026 Pequod
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Fátima Rodrigo De la serie Formas de desaparecer, 2026
Ink, tempera, acrylic paint, pastel, color pencil on Hahnemühle paper
84 x 59.5 cm (33 1/8 x 23 3/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
Fátima Rodrigo De la serie Formas de desaparecer
, 2026 Pequod
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De la serie Formas de desaparecer, 2026
Ink, tempera, acrylic paint, pastel, color pencil on Hahnemühle paper
86 x 61 cm (33 7/8 x 24 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Formas de desaparecer
, 2026 Pequod
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De la serie Esquemas del colapso, 2026
Ink, tempera, acrylic paint, pastel, color pencil on Hahnemühle paper
61 x 86 cm (24 x 33 7/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Esquemas del colapso
, 2026 Pequod
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De la serie Formas de desaparecer, 2026
Graphite and tempera on Hahnemühle paper
50 x 65 cm (19 3/4 x 25 5/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
for more information about this artwork
Fátima Rodrigo
De la serie Formas de desaparecer
, 2026 Pequod
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De la serie Esquemas del colapso, 2026
Ink, tempera, acrylic paint, pastel, color pencil on Hahnemühle paper
50 x 65 cm (19 3/4 x 25 5/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Esquemas del colapso
, 2026 Pequod
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De la serie Corrupción de datos, 2026
Ink, tempera, acrylic paint, pastel, color pencil on Hahnemühle paper
42 x 29.7 cm (16 1/2 x 11 3/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Corrupción de datos
, 2026 Pequod
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De la serie Corrupción de datos, 2026
Color pencil on Hahnemühle paper
42 x 29.7 cm (16 1/2 x 11 3/8 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Corrupción de datos
, 2026 Pequod
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De la serie Corrupción de datos, 2026
Pencil and graphite on Hahnemühle paper
42 x 29.7 cm (16 1/2 x 11 3/4 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
De la serie Corrupción de datos
, 2026 Pequod
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Mis sueños se convierten en promesas
3D print, styrofoam, glass fiber, MDF, silicon, foam clay, acrylic paint, sequins, pipe cleaner and candles
180 x 125 x 125 cm (70 7/8 x 49 1/4 x 49 1/4 in.)
© Fátima Rodrigo
Courtesy Pequod, Mexico City
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Fátima Rodrigo
Mis sueños se convierten en promesas
Pequod
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