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Never Odd or Even, 2016
Wool, acrylic, cotton fibers
167 x 86 in. (424.2 x 218.4 cm)
© Terri Friedman
Courtesy of the Artist and James Cohan, New York
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Terri Friedman
Never Odd or Even
, 2016 James Cohan Gallery
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Apostrophe, 2016
Wool, acrylic, cotton, metallic fibers
81 x 48 in.(205.7 x 121.9 cm)
© Terri Friedman
Courtesy of the Artist and James Cohan, New York
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Terri Friedman
Apostrophe
, 2016 James Cohan Gallery
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Party Favors, 2017
Hand dyed, hand woven, and crocheted hemp; calendar from a gay community group, rhinestone encrusted florist brooch, pin, spray paint, and chip clip on stretched linen
50 x 72 x 5 in. (127 x 182.9 x 12.7 cm)
© Josh Faught
Courtesy of the Artist and James Cohan, New York
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Josh Faught
Party Favors
, 2017 James Cohan Gallery
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Notes to John I and John II, 1966
Cotton, wood; handwoven
Each: 24 x 20 in. (Each: 61 x 50.8 cm)
Museum of Arts and Design, New York, gift of the Johnson Wax Company, through the American Craft Cou
© Trude Guermonprez
Courtesy of the Artist and James Cohan, New York
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Trude Guermonprez
Notes to John I and John II
, 1966 James Cohan Gallery
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Notes to John I and John II, 1966
Cotton, wood; handwoven
Each: 24 x 20 in. (Each: 61 x 50.8 cm)
Museum of Arts and Design, New York, gift of the Johnson Wax Company, through the American Craft Cou
© Trude Guermonprez
Courtesy of the Artist and James Cohan, New York
for more information about this artwork
Trude Guermonprez
Notes to John I and John II
, 1966 James Cohan Gallery
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The Cosmetic Affect of Darkness, 2017
hand woven gold lamé and cotton; hand woven hemp, dyed in last season’s expired dye and Indigo; gay pin; half-gay pin; two lists generated from a support group meeting on powder-coated steel armature
72 x 57 x 23 1/4 in. (182.9 x 144.8 x 59.1 cm)
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© Josh Faught
Courtesy of the Artist and James Cohan, New York
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Josh Faught
The Cosmetic Affect of Darkness
, 2017 James Cohan Gallery
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The Cosmetic Affect of Darkness, 2017 (detail)
hand woven gold lamé and cotton; hand woven hemp, dyed in last season’s expired dye and Indigo; gay pin; half-gay pin; two lists generated from a support group meeting on powder-coated steel armature
72 x 57 x 23 1/4 in. (182.9 x 144.8 x 59.1 cm)
© Josh Faught
Courtesy of the Artist and James Cohan, New York
for more information about this artwork
Josh Faught
The Cosmetic Affect of Darkness
, 2017 James Cohan Gallery
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Twill Series (Nectar/Ivory), 2016
Hand-woven and hand-dyed linen
25 x 28 1/2 in. (63.5 x 72.4 cm)
© Ruth Laskey
Courtesy of the Artist and James Cohan, New York
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Ruth Laskey
Twill Series (Nectar/Ivory)
, 2016 James Cohan Gallery
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Twill Series (Thistle Blossom/Mineral Orange), 2016
Hand-woven and hand-dyed linen
25 x 26 1/2 in. (63.5 x 67.3 cm)
© Ruth Laskey
Courtesy of the Artist and James Cohan, New York
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Ruth Laskey
Twill Series (Thistle Blossom/Mineral Orange)
, 2016 James Cohan Gallery
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Twill Series (Sangria/Golden Yellow), 2015
Hand-woven and hand-dyed linen
25 x 27 1/2 in. (63.5 x 69.8 cm)
© Ruth Laskey
Courtesy of the Artist and James Cohan, New York
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Ruth Laskey
Twill Series (Sangria/Golden Yellow)
, 2015 James Cohan Gallery
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HOMAGE TO AM, series II, #1, 2015
Linen, textile dye, permanent marker, plain weave
10 5/8 x 10 5/8 in. (27 x 27 cm)
© Kay Sekimachi
Courtesy of the Artist and James Cohan, New York
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Kay Sekimachi
HOMAGE TO AM, series II, #1
, 2015 James Cohan Gallery
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HOMAGE TO AM, series II, #2, 2015
Linen, textile dye, permanent marker, plain weave
10 5/8 x 10 5/8 in. (27 x 27 cm)
© Kay Sekimachi
Courtesy of the Artist and James Cohan, New York
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Kay Sekimachi
HOMAGE TO AM, series II, #2
, 2015 James Cohan Gallery
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HOMAGE TO AM, series II, #3, 2015
Linen, textile dye, permanent marker, plain weave
10 5/8 x 10 5/8 in. (27 x 27 cm)
© Kay Sekimachi
Courtesy of the Artist and James Cohan, New York
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Kay Sekimachi
HOMAGE TO AM, series II, #3
, 2015 James Cohan Gallery
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HOMAGE TO AM, series II, #4, 2015
Linen, textile dye, permanent marker, plain weave
10 5/8 x 10 5/8 in. (27 x 27 cm)
© Kay Sekimachi
Courtesy of the Artist and James Cohan, New York
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Kay Sekimachi
HOMAGE TO AM, series II, #4
, 2015 James Cohan Gallery
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HOMAGE TO AM, series II, #5, 2015
Linen, textile dye, permanent marker, plain weave
10 5/8 x 10 5/8 in. (27 x 27 cm)
© Kay Sekimachi
Courtesy of the Artist and James Cohan, New York
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Kay Sekimachi
HOMAGE TO AM, series II, #5
, 2015 James Cohan Gallery
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HOMAGE TO AM, series II, #6, 2015
Linen, textile dye, permanent marker, plain weave
10 5/8 x 10 5/8 in. (27 x 27 cm)
© Kay Sekimachi
Courtesy of the Artist and James Cohan, New York
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Kay Sekimachi
HOMAGE TO AM, series II, #6
, 2015 James Cohan Gallery
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Untitled (Space Hanging), ca. 1965
Silk, double weave
73 x 34 1/2 x 34 1/2 in. (185.4 x 87.6 x 87.6 cm)
Collection of Forrest L. Merrill
© Trude Guermonprez
Courtesy of the Artist and James Cohan, New York
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Trude Guermonprez
Untitled (Space Hanging)
, ca. 1965 James Cohan Gallery
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Interiority Complex, 2017
hand dyed, crocheted, and spray painted hemp with piano key fabric, a rayon/Lycra blend, sequins, and blue denim bow on wood
79 x 53 x 5 in. (200.7 x 134.6 x 12.7 cm)
© Josh Faught
Courtesy of the Artist and James Cohan, New York
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Josh Faught
Interiority Complex
, 2017 James Cohan Gallery
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YES, 2016
Wool, acrylic, cotton fibers
106 x 90 in. (269.2 x 228.6 cm)
© Terri Friedman
Courtesy of the Artist and James Cohan, New York
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Terri Friedman
YES
, 2016 James Cohan Gallery
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After Miro, 1970
Jute and horsehair lace
65 x 44 in. (165.1 x 111.8 cm)
© Ed Rossbach - Photo: Tom Grotta
Courtesy of browngrotta arts
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Ed Rossbach
After Miro
, 1970 James Cohan Gallery
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Rattan Construction, 1969
Raffia
18 x 9 1/2 x 9 1/2 in. (45.7 x 24.1 x 24.1 cm)
© Ed Rossbach - Photo: Tom Grotta
Courtesy of browngrotta arts
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Ed Rossbach
Rattan Construction
, 1969 James Cohan Gallery
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