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SELVA, 2026
sublimation printing on roughened tarp
58 1/2 x 59 1/4 inches
© Ana González
Courtesy the artist and Sean Kelly
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Ana González
SELVA
, 2026 Sean Kelly
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Untitled, 1993
crayon on paper
paper: 9 3/4 x 6 1/4 inches
framed: 14 3/4 x 11 3/4 inches
© Marina Abramović
Courtesy the artist and Sean Kelly
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Marina Abramović
Untitled
, 1993 Sean Kelly
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Untitled (Cowboy), 2026
archival pigment print
paper: 61 1/16 x 45 1/4 inches
framed: 63 1/16 x 47 1/4 x 3 inches
© Jose Dávila
Courtesy the artist and Sean Kelly
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Jose Dávila
Untitled (Cowboy)
, 2026 Sean Kelly
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Now Shoo, (Fly)Children, Stop Lookin’ at Her Tits, 2023
postcard, Chrome Hearts zipper, bulletproof glass
postcard: 7 3/4 x 5 1/2 inches
framed: 15 3/8 x 12 5/8 x 3 1/4 inches
© Awol Erizku
Courtesy the artist and Sean Kelly
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Awol Erizku
Now Shoo, (Fly)Children, Stop Lookin’ at Her Tits
, 2023 Sean Kelly
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Girl with Fish XLII, 2022
Acana wood and acrylic paint
16 1/8 x 11 3/4 x 6 inches
© Magdiel García Almanza
Courtesy the artist and Sean Kelly
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Magdiel García Almanza
Girl with Fish XLII
, 2022 Sean Kelly
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Studies into the Past, 2019
oil and palladium leaf on wood
9 7/16 x 8 11/16 x 2 3/16 inches
© Laurent Grasso
Courtesy the artist and Sean Kelly
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Laurent Grasso
Studies into the Past
, 2019 Sean Kelly
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Untitled, 1995
oil on canvas
painting: 15 1/16 x 12 3/16 x 3/4 inches
framed: 15 9/16 x 12 11/16 x 1 3/4
© Ilse D'Hollander
Courtesy the artist and Sean Kelly
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Ilse D'Hollander
Untitled
, 1995 Sean Kelly
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phaeton, 2015
aluminum foil, aluminum coating and oil paint on tar paper
49 1/4 x 70 3/16 x 2 inches
© Hugo McCloud
Courtesy the artist and Sean Kelly
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Hugo McCloud
phaeton
, 2015 Sean Kelly
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Small Bond No. XLVI, 2018
fused glass
15 x 14 1/4 inches
© Sam Moyer
Courtesy the artist and Sean Kelly
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Sam Moyer
Small Bond No. XLVI
, 2018 Sean Kelly
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Paisaje I, 2025
acrylic and charcoal on paper
paper: 9 7/16 x 6 5/16 inches
framed: 13 3/4 x 11 x 1 9/16 inches
© Hilda Palafox
Courtesy the artist and Sean Kelly
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Hilda Palafox
Paisaje I
, 2025 Sean Kelly
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Regolith, 2025
ceramic, sand, pigmented clay, artist painted frame
framed: 20 x 17 x 4 inches
© Brian Rochefort
Courtesy the artist and Sean Kelly
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Brian Rochefort
Regolith
, 2025 Sean Kelly
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Men claim the easiest spots stand knee-deep in calm dark water where the trout is proven, 2024
graphite, gouache, and charcoal on paper
paper: 14 x 11 inches
framed: 23 1/4 x 20 1/4 x 1 1/2 inches
© Shahzia Sikander
Courtesy the artist and Sean Kelly
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Shahzia Sikander
Men claim the easiest spots stand knee-deep in calm dark...
, 2024 Sean Kelly
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Portrait of Kaosisochukwu Andrina Nkpolara II, 2024
oil on panel
painting: 7 1/8 x 5 15/16 inches
framed: 17 15/16 x 16 3/4 x 3 3/8 inches
© Kehinde Wiley
Courtesy the artist and Sean Kelly
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Kehinde Wiley
Portrait of Kaosisochukwu Andrina Nkpolara II
, 2024 Sean Kelly
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Cyano-Collage 279, 2026
cyanotype on Xuan paper, mounted on aluminum panel, with acrylic gel and satin varnish
23 5/8 x 23 5/8 inches
© Wu Chi-Tsung
Courtesy the artist and Sean Kelly
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Wu Chi-Tsung
Cyano-Collage 279
, 2026 Sean Kelly
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Olimpia, 2026
Wood, metal, video projector
84 x 40 1/2 x 14 inches (213.4 x 102.9 x 35.6 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Olimpia
, 2026 Regen Projects
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Self Portrait, 2026
Wood, metal, video projector
16 1/2 x 40 x 23 inches (41.9 x 101.6 x 58.4 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Self Portrait
, 2026 Regen Projects
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Somniloquy, 2026
Wood, metal, video projector
58 x 84 x 14 1/4 inches (147.3 x 213.4 x 36.2 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Somniloquy
, 2026 Regen Projects
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Snake Island, 2025
Wood, metal, video projector
121 x 85 x 36 inches (307.3 x 215.9 x 91.4 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Snake Island
, 2025 Regen Projects
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Incubus, 2026
Wood, metal, video projector
105 1/2 x 101 x 36 inches (268 x 256.5 x 91.4 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Incubus
, 2026 Regen Projects
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Monument Valley Girl, 2024-2026
Wood, metal, video projector
133 x 75 x 36 inches (337.8 x 190.5 x 91.4 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Monument Valley Girl
, 2024-2026 Regen Projects
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Bone Orchard, 2026
Oil and enamel on canvas
72 x 64 1/4 x 1 1/2 inches (182.9 x 163.2 x 3.8 cm)
© Alex Hubbard
Courtesy the artist and Regen Projects, Los Angeles
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Alex Hubbard
Bone Orchard
, 2026 Regen Projects
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Flicker Matte, 1974
Kalvar 16mm film stock and microfilm
21 1/2 x 27 1/4 in (55 x 69 cm)
Frame: 26 5/8 x 32 3/8 x 1 1/2 in (68 x 82 x 4 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
for more information about this artwork
Tony Conrad
Flicker Matte
, 1974 Greene Naftali
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Pickled E.K. 7302-244-0502 #1, March 2006, 2006
16mm film stock preserved in pickling jar with vinegar, vegetables and spices
6 3/4 x 4 x 4 inches (17 x 10 x 10 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Pickled E.K. 7302-244-0502 #1, March 2006
, 2006 Greene Naftali
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Pickled E.K. 7302-244-0502 #1, March 2006, 2006 (detail)
16mm film stock preserved in pickling jar with vinegar, vegetables and spices
6 3/4 x 4 x 4 inches (17 x 10 x 10 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Pickled E.K. 7302-244-0502 #1, March 2006
, 2006 Greene Naftali
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Loose Connection, 1972/2011
Super 8 to 16 mm/HD video
54 minutes, 54 seconds
Edition of 5 + 2 APs
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Loose Connection
, 1972/2011 Greene Naftali
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Loose Connection, 1972/2011 (detail)
Super 8 to 16 mm/HD video
54 minutes, 54 seconds
Edition of 5 + 2 APs
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Loose Connection
, 1972/2011 Greene Naftali
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Yellow Movie 4/3/73, 1973
Emulsion: Honey beige low lustre enamel, water base, tinted midtone base Base: Studio white seamless paper
126 1/2 x 107 inches (321 x 272 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Yellow Movie 4/3/73
, 1973 Greene Naftali
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Yellow Movie 12/14-15/72, 1972
Emulsion: Citron tinted low lustre enamel, Speedflex Latex Colorizer, Brooklyn Paint & Varnish Co. Base: White seamless paper
90 1/2 x 107 inches (230 x 272 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Yellow Movie 12/14-15/72
, 1972 Greene Naftali
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Deep Fried 7302, 1973
Fried EK 7302 16mm film stock
5 x 4 x 1 in (13 x 10 x 3 cm)
Canister: 7 1/2 x 7 1/2 x 2 in (19 x 19 x 3 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Deep Fried 7302
, 1973 Greene Naftali
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Roast Kalvar, 1974
Roasted 16mm Kalvar film stock
5 x 6 x 9 1/2 inches (13 x 15 x 24 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Roast Kalvar
, 1974 Greene Naftali
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Bowed Film, 1974/2014
16 mm film Dimensions variable
Installed: 5 1/2 x 5 x 5/8 in (14 x 13 x 2 cm)
© Tony Conrad
Courtesy Greene Naftali, New York
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Tony Conrad
Bowed Film
, 1974/2014 Greene Naftali
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The Flicker, 1966
16mm, black and white, sound
30 minutes
Edition of 6 + 2 APs
© Tony Conrad
Courtesy Greene Naftali, New York
for more information about this artwork
Tony Conrad
The Flicker
, 1966 Greene Naftali
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The Flicker, 1966 (detail)
16mm, black and white, sound
30 minutes
Edition of 6 + 2 APs
© Tony Conrad
Courtesy Greene Naftali, New York
for more information about this artwork
Tony Conrad
The Flicker
, 1966 Greene Naftali
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Straight and Narrow, 1970
16mm, black and white, sound
10 minutes
© Tony Conrad and Beverly Grant
Courtesy Greene Naftali, New York
for more information about this artwork
Tony Conrad and Beverly Grant
Straight and Narrow
, 1970 Greene Naftali
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Straight and Narrow, 1970 (detail)
16mm, black and white, sound
10 minutes
© Tony Conrad and Beverly Grant
Courtesy Greene Naftali, New York
for more information about this artwork
Tony Conrad and Beverly Grant
Straight and Narrow
, 1970 Greene Naftali
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fragment from skinning cattle by power 1867 (fig. 122 in gideon), 2022
Plywood and rubber
96 x 60 inches (244 x 152 cm)
© Aria Dean
Courtesy Greene Naftali, New York
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Aria Dean
fragment from skinning cattle by power 1867 (fig. 122 in...
, 2022 Greene Naftali
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I was caned by the Headmaster 1, 2016
Acrylic and silkscreen on canvas
78 1/4 x 60 inches (199 x 152 cm)
© David Diao
Courtesy Greene Naftali, New York
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David Diao
I was caned by the Headmaster 1
, 2016 Greene Naftali
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The Inert Scenery of Self-determination, 2024
Sumi-e ink on cut paper on paper
79 x 87 3/4 inches (201 x 223 cm)
© Kara Walker
Courtesy Greene Naftali, New York
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Kara Walker
The Inert Scenery of Self-determination
, 2024 Greene Naftali
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Green Screen #6, 2001
UV laminated Fujiflex print mounted on 1-inch Plexiglass
22 x 36 inches (56 x 91 cm)
© Liz Deschenes
Courtesy Greene Naftali, New York
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Liz Deschenes
Green Screen #6
, 2001 Greene Naftali
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Quincy, 2026
Silver toned photogram
58 1/2 x 27 inches (149 x 69 cm)
© Liz Deschenes
Courtesy Greene Naftali, New York
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Liz Deschenes
Quincy
, 2026 Greene Naftali
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Braintree, 2026
Silver toned photogram
19 3/4 x 47 inches (50 x 119 cm)
© Liz Deschenes
Courtesy Greene Naftali, New York
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Liz Deschenes
Braintree
, 2026 Greene Naftali
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NaturalBeauty?_16v2Etw2ML/qPM, 2024
UV Pigment on Dibond with custom frame
58 3/4 x 58 3/4 inches (149 x 149 cm)
© Craig Kalpakjian
Courtesy Greene Naftali, New York
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Craig Kalpakjian
NaturalBeauty?_16v2Etw2ML/qPM
, 2024 Greene Naftali
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Untitled, c. 1960
Crayon on paper
6 3/4 x 23 inches (17 x 58 cm)
© Lee Lozano
Courtesy Greene Naftali, New York
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Lee Lozano
Untitled
, c. 1960 Greene Naftali
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Ich glaubte Gefangene zu sehen [I Thought I Was Seeing Convicts], 2000
Two-channel video installation (color, sound)
25 minutes
© Harun Farocki
Courtesy Greene Naftali, New York
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Harun Farocki
Ich glaubte Gefangene zu sehen [I Thought I Was Seeing...
, 2000 Greene Naftali
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CRIP TIME, 2018
HD video (color, sound)
10 minutes
© Carolyn Lazard
Courtesy Greene Naftali, New York
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Carolyn Lazard
CRIP TIME
, 2018 Greene Naftali
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Day's Grape, 2002
Wood, chicken wire, polystyrene, cement, acrylic, sand, aluminum, cardboard, plastic, keys, and wheels
95 x 28 1/2 x 27 3/4 inches (241 x 72 x 71 cm)
© Rachel Harrison
Courtesy Greene Naftali, New York
for more information about this artwork
Rachel Harrison
Day's Grape
, 2002 Greene Naftali