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296 II, 2019 (detail)
bleached X rays, metal structure
© Adolfo Bimer - Photo: Marcus Leith
Courtesy Sagrada Mercancía, Santiago
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Adolfo Bimer
296 II
, 2019 greengrassi
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296 II, 2019
bleached X rays, metal structure
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© Adolfo Bimer - Photo: Marcus Leith
Courtesy Sagrada Mercancía, Santiago
for more information about this artwork
Adolfo Bimer
296 II
, 2019 greengrassi
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296 II, 2019 (detail)
bleached X rays, metal structure
© Adolfo Bimer - Photo: Marcus Leith
Courtesy Sagrada Mercancía, Santiago
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Adolfo Bimer
296 II
, 2019 greengrassi
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292: Blood line (20/06/17), 2018
glass slides with blood samples, stainless steel
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© Adolfo Bimer - Photo: Marcus Leith
Courtesy greengrassi, London
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Adolfo Bimer
292: Blood line (20/06/17)
, 2018 greengrassi
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292: Blood line (20/06/17), 2018 (detail)
glass slides with blood samples, stainless steel
© Adolfo Bimer - Photo: Marcus Leith
Courtesy greengrassi, London
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Adolfo Bimer
292: Blood line (20/06/17)
, 2018 greengrassi
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also when you are terrible, you are not so terrible (Part 1), 2018
red wine, oil stick and graphite on canvas
© Donna Kukama - Photo: Marcus Leith
Courtesy Blank Projects, Cape Town
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Donna Kukama
also when you are terrible, you are not so terrible (Part 1)
, 2018 greengrassi
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also when you are terrible, you are not so terrible (Part 2), 2018
tempera, glitter, oil stick, and graphite on canvas
© Donna Kukama - Photo: Marcus Leith
Courtesy Blank Projects, Cape Town
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Donna Kukama
also when you are terrible, you are not so terrible (Part 2)
, 2018 greengrassi
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A Body’s Place, 2016-2019
cotton, silk and linen handwoven on back-strap loom by artist
© Hellen Ascoli - Photo: Marcus Leith
Courtesy Proyectos Ultravioleta, Guatemala City
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Hellen Ascoli
A Body’s Place
, 2016-2019 greengrassi
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Where movement begins and ends, 2019
cotton, industrial and natural dyes handwoven on backstrap loom by artist
© Hellen Ascoli - Photo: Marcus Leith
Courtesy greengrassi, London
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Hellen Ascoli
Where movement begins and ends
, 2019 greengrassi
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Volcanoes that invade our homes with ash, 2019
cotton, silk and linen handwoven on back-strap loom by artist
© Hellen Ascoli - Photo: Marcus Leith
Courtesy greengrassi, London
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Hellen Ascoli
Volcanoes that invade our homes with ash
, 2019 greengrassi
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Equal Employment Opportunity Commission, 2018
photogravure with chine collé
© Jennifer Borstein - Photo: Marcus Leith
Courtesy greengrassi, London
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Jennifer Borstein
Equal Employment Opportunity Commission
, 2018 greengrassi
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5 Community Sex Information, 2018
photogravure with chine collé
© Jennifer Borstein - Photo: Marcus Leith
Courtesy greengrassi, London
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Jennifer Borstein
5 Community Sex Information
, 2018 greengrassi
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6 Feminist Studies, 2018
photogravure with chine collé
© Jennifer Borstein - Photo: Marcus Leith
Courtesy greengrassi, London
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Jennifer Borstein
6 Feminist Studies
, 2018 greengrassi
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Untitled (Handmade Knives), 2015
graphite and watercolour on paper
© Jennifer Pastor - Photo: Marcus Leith
Courtesy greengrassi, London
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Jennifer Pastor
Untitled (Handmade Knives)
, 2015 greengrassi
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Eric (Polo), 2018
silver gelatin print
© Moyra Davey
Courtesy greengrassi, London
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Moyra Davey
Eric (Polo)
, 2018 greengrassi
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Ethan 1, 2018
silver gelatin print
© Moyra Davey
Courtesy greengrassi, London
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Moyra Davey
Ethan 1
, 2018 greengrassi
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Ethan 2, 2018
silver gelatin print
© Moyra Davey
Courtesy greengrassi, London
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Moyra Davey
Ethan 2
, 2018 greengrassi
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Eric (Fade), 2018
silver gelatin print
© Moyra Davey
Courtesy greengrassi, London
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Moyra Davey
Eric (Fade)
, 2018 greengrassi
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Untitled, 2018
Woven mixed rope, cotton twine and beads
approx. 300 x 260 cm Courtesy
© Igshaan Adams
Courtesy Blank Projects, Cape Town
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Igshaan Adams
Untitled
, 2018 greengrassi