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Drawing for Waiting for the Sibyl (Composite of Trees I), 2019
Indian ink on found pages
Overall: 33 ½ x 57 ½ in. (85 x 146.2 cm)
Frame: 39 1/8 x 61 5/8 x 2 3/8 in. (99.5 x 156.5 x 6 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Drawing for Waiting for the Sibyl (Composite of Trees I)
, 2019
Marian Goodman Gallery
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An Argument Mired in Nostalgia, 2021
Indian ink on handmade Phumani paper mounted onto raw canvas
124 5/8 x 111 1/8 in. (316.5 x 282 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
An Argument Mired in Nostalgia
, 2021 Marian Goodman Gallery
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Not Everywhere But Anywhere, 2021
Indian ink on handmade Phumani paper mounted onto raw canvas
134 5/8 x 120 ½ in. (342 x 306 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
Not Everywhere But Anywhere
, 2021
Marian Goodman Gallery
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Finally Memory Yields, 2021
Indian ink on handmade Phumani paper mounted onto raw canvas
138 ¼ x 98 1/8 in. (351 x 249 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
Finally Memory Yields
, 2021 Marian Goodman Gallery
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Leaf, 2019
Coffee-lift aquatint with drypoint
Paper: 16 7/8 x 12 5/8 in. (43 x 32 cm)
Edition of 40
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Leaf
, 2019 Marian Goodman Gallery
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Drawing for Waiting for the Sibyl (I have brought news), 2020
Indian ink, pencil and charcoal drawings on found pages
Overall: 34 ¼ x 47 5/8 in. (87 x 121 cm)
Frame: 38 ¼ x 51 5/8 in. (97 x 131 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
Drawing for Waiting for the Sibyl (I have brought news)
, 2020 Marian Goodman Gallery
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Drawing for Waiting for the Sibyl (Geometry of Colour), 2021
Watercolor and pencil on found paper
Overall: 44 ½ x 70 1/8 in. (113 x 178 cm)
Frame: 50 3/8 x 76 in. (128 x 193 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Drawing for Waiting for the Sibyl (Geometry of Colour)
, 2021
Marian Goodman Gallery
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Drawing for Waiting for the Sibyl (24 Leaves), 2021
Indian ink on found pages
Paper: 43 ¾ x 91 in. (111 x 231 cm)
Frame: 49 5/8 x 49 5/8 in. (126 x 126 cm)
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
Drawing for Waiting for the Sibyl (24 Leaves)
, 2021
Marian Goodman Gallery
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Lillies, 2020
Coffee-lift aquatint with drypoint and collage
Image: 46 1/8 x 31 1/8 in. (117 x 79 cm)
Paper: 53 3/8 x 37 3/8 in. (135.5 x 95 cm)
Frame: 59 1/8 x 43 1/4 in. (150.2 x 110 cm)
Edition of 30
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
Lillies
, 2020
Marian Goodman Gallery
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Roses in the Big Glass, 2020
Coffee-lift aquatint with drypoint
Image: 39 3/4 x 31 1/4 in. (101 x 79.5 cm)
Paper: 46 7/8 x 37 5/8 in. (119 x 95.5 cm)
Frame: 50 3/4 x 41 1/2 in. (129 x 105.5 cm)
Edition of 30
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Roses in the Big Glass
, 2020
Marian Goodman Gallery
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Sibyl, 2020 (film still)
Single channel HD film; 9 min. 59 sec.
Edition of 9
© William Kentridge
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Sibyl
, 2020 (film still) Marian Goodman Gallery
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Sibyl, 2020 (film still)
Single channel HD film; 9 min. 59 sec.
Edition of 9
© William Kentridge
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Sibyl
, 2020 (film still) Marian Goodman Gallery
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Sibyl, 2020 (film still)
Single channel HD film; 9 min. 59 sec.
Edition of 9
© William Kentridge
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Sibyl
, 2020 (film still) Marian Goodman Gallery
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Sibyl, 2020 (film still)
Single channel HD film; 9 min. 59 sec.
Edition of 9
© William Kentridge
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Sibyl
, 2020 (film still) Marian Goodman Gallery
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Sibyl, 2020 (film still)
Single channel HD film; 9 min. 59 sec.
Edition of 9
© William Kentridge
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Sibyl
, 2020 (film still) Marian Goodman Gallery
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Sibyl, 2020 (film still)
Single channel HD film; 9 min. 59 sec.
Edition of 9
© William Kentridge
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Sibyl
, 2020 (film still) Marian Goodman Gallery
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Old Gods Have Retired, 2019
Coffee-lift aquatint with drypoint
Paper: 15 3/4 x 19 3/4 in. (40 x 50 cm)
Frame: 21 1/8 x 22 7/8 in. (53.6 x 58.2 cm)
Edition of 40
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
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William Kentridge
Old Gods Have Retired
, 2019
Marian Goodman Gallery
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Day Will Break More Than Once, 2019
Coffee-lift aquatint with drypoint
Paper: 15 3/4 x 19 3/4 in. (40 x 50 cm)
Frame: 21 1/8 x 22 7/8 in. (53.6 x 58.2 cm)
Edition of 40
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Day Will Break More Than Once
, 2019 Marian Goodman Gallery
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The Pool Ahead is Not To Be Trusted, 2019
Coffee-lift aquatint with drypoint
Paper: 15 3/4 x 19 3/4 in. (40 x 50 cm)
Frame: 21 1/8 x 22 7/8 in. (53.6 x 58.2 cm)
Edition of 40
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
The Pool Ahead is Not To Be Trusted
, 2019
Marian Goodman Gallery
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Something Has Been Postponed, 2019
Coffee-lift aquatint with drypoint
Paper: 15 3/4 x 19 3/4 in. (40 x 50 cm)
Frame: 21 1/8 x 22 7/8 in. (53.6 x 58.2 cm)
Edition of 40
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Something Has Been Postponed
, 2019 Marian Goodman Gallery
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Dada Picnic 1, 2019
Sugarlift aquatint with drypoint
Image: 11 3/8 x 15 3/8 in. (29 x 39 cm)
Paper: 17 3/4 x 19 3/4 in. (45 x 50 cm)
Frame: 21 1/8 x 22 7/8 in. (53.6 x 58.2 cm)
Edition of 20
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Dada Picnic 1
, 2019 Marian Goodman Gallery
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Dada Picnic 2, 2019
Sugarlift aquatint with drypoint
Image: 11 3/8 x 15 3/8 in. (29 x 39 cm)
Paper: 17 3/4 x 19 3/4 in. (45 x 50 cm)
Frame: 21 1/8 x 22 7/8 in. (53.6 x 58.2 cm)
Edition of 20
© William Kentridge - Photo: Rebecca Fanuele
Courtesy Kentridge Studio and Marian Goodman Gallery
for more information about this artwork
William Kentridge
Dada Picnic 2
, 2019
Marian Goodman Gallery
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