Liam Gillick


Liam Gillick solo shows (15)


 

Liam Gillick group shows (16)


 

artworks by Liam Gillick (168)


 
Liam Gillick, Devastated Wall Complex, 2019 , Casey Kaplan

Liam Gillick


Devastated Wall Complex, 2019

Powder-coated aluminum
11.8 x 11.8 x 8.5” (30 x 30 x 21.5cm)


Casey Kaplan

Online Viewing Room
Mar 26 - Apr 11, 2020

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Liam Gillick

Devastated Wall Complex

, 2019
Liam Gillick, Prototype Ibuka! Coffee Table/Stage (Act 1), 1995 , Casey Kaplan

Liam Gillick


Prototype Ibuka! Coffee Table/Stage (Act 1), 1995

Sheet of chipboard with rounded corners, hardwood legs, printed paper, glass
17 x 96.5 x 96.5” (43.18 x 245.11 x 245.11cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Prototype Ibuka! Coffee Table/Stage (Act 1)

, 1995
Liam Gillick, Ibuka Environment, 1995 , Casey Kaplan

Liam Gillick


Ibuka Environment, 1995

Sawdust, halogen lights, colored sheets of gel (dark blue), bulldog clips, screw-in hooks
Variable dimensions


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Ibuka Environment

, 1995
Liam Gillick, Restricted Roundrail (Grey, Ivory, White, Black), 2012, Casey Kaplan

Liam Gillick


Restricted Roundrail (Grey, Ivory, White, Black), 2012

Powder coated aluminium
2 x 315 x 2” (5 x 800 x 5cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Restricted Roundrail (Grey, Ivory, White, Black)

, 2012
Liam Gillick, Discussion Bench Platform Black, 2010 , Casey Kaplan

Liam Gillick


Discussion Bench Platform Black, 2010

Painted aluminium, transparent Plexiglas
Bench: 78.74 x 19.69 x 19.69” (50 x 200 x 50 cm) Platform: 2 x 118.11 x 78.74 x 118.11” (5 x 300 x 200 cm) Installed height: 78” (198.1 cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Discussion Bench Platform Black

, 2010
Liam Gillick, Interior Day Setting, 2012 , Casey Kaplan

Liam Gillick


Interior Day Setting, 2012

Powder coated aluminium
45 elements, each: 78.7” (H) x 1.18” (W) x 3.9” (D) (200cm (H) x 3cm (W) x 10cm (D)) with a 3.9” (10cm) gap between each element
Installed dimensions: 90.5 (H) x 227 (W) x 3.9” (D) (229.9 (H) x 576.6 (W) x 10cm (D))


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Interior Day Setting

, 2012
Liam Gillick, Elevation Structure, 2003 , Casey Kaplan

Liam Gillick


Elevation Structure, 2003

Powder coated aluminium
60 x 60 x 60” (152.4 x 152.4 x 152.4 cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Elevation Structure

, 2003
Liam Gillick, McNamara Setting, 1994 , Casey Kaplan

Liam Gillick


McNamara Setting, 1994

Old clothing, fake snow, flashlights, papers, cigarettes
Variable dimensions


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

McNamara Setting

, 1994
Liam Gillick, A Search for the Centre Kept in Check by Violence, Disorder and Conspirary, 1998 , Casey Kaplan

Liam Gillick


A Search for the Centre Kept in Check by Violence, Disorder and Conspirary, 1998

Bronzed mirror
84’’ (213cm) diameter


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

A Search for the Centre Kept in Check by Violence, Disorder...

, 1998
Liam Gillick, Discussion Island Double Exit Rig, 1997 , Casey Kaplan

Liam Gillick


Discussion Island Double Exit Rig, 1997

2 Rigs: aluminium, 20 light fittings and white bulbs Cables, clamps, wiring
8 x 48 x 48” (20.3 x 120 x 120cm each)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Discussion Island Double Exit Rig

, 1997
Liam Gillick, Big Conference Centre Renovation (ed.3), 1998 , Casey Kaplan

Liam Gillick


Big Conference Centre Renovation (ed.3), 1998

Single malt whiskey, glitter, water, bucket, mop
Variable dimensions


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Big Conference Centre Renovation (ed.3)

, 1998
Liam Gillick, Via Del Charro, 2013 , Casey Kaplan

Liam Gillick


Via Del Charro, 2013

Light bulbs, writing paper, pencils, fruit, bottle of Jim Beam, bottle of Ballentine’s whisky, tape, cardboard box printed text
13 x 33 x 34.5” (33.02 x 83.82 x 87.63cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Via Del Charro

, 2013
Liam Gillick, Literally No Place Barfloor, 2000 , Casey Kaplan

Liam Gillick


Literally No Place Barfloor, 2000

Anodized aluminum, oak planks, 4 glasses, Pepsi
9 units each: 48” (L) x 48” (W) x 2” (D) (121.92cm (L) x 121.92cm (W) x 5cm (D))


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Literally No Place Barfloor

, 2000
Liam Gillick, Prototype Construction of One Manuscript, 2012 , Casey Kaplan

Liam Gillick


Prototype Construction of One Manuscript, 2012

Printed red paper, string
6 x 11 x 8.5” (15.24 x 27.94 x 21.59cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Prototype Construction of One Manuscript

, 2012
Liam Gillick, Big Conference Centre Focal Point, 1998 , Casey Kaplan

Liam Gillick


Big Conference Centre Focal Point, 1998

Four 12 Watt light bulbs, cables and fittings
157 x 11 x 7” (398.78 x 27.94 x 17.78cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Big Conference Centre Focal Point

, 1998
Liam Gillick, Retrained Screen, 2015 , Casey Kaplan

Liam Gillick


Retrained Screen, 2015

Chrome powder coated aluminum, white opaque Plexiglas
90.6 x 31.5 x 7.9" (230 x 80 x 20cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Retrained Screen

, 2015
Liam Gillick, Redaction, 2005 , Casey Kaplan

Liam Gillick


Redaction, 2005

Large glass, Polish Pure Spirit
27.5 x 8 x 8” (69.85 x 20.32 x 20.32cm)


Casey Kaplan
Redaction
Mar 03 - Apr 25, 2020

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Liam Gillick

Redaction

, 2005
Liam Gillick, Denominator Platform, 2018, Kerlin Gallery

Liam Gillick


Denominator Platform, 2018

powder-coated aluminium, plexiglass
200 x 300 x 5 cm (78.7 x 118.1 x 2 in)


Kerlin Gallery
Shadowplay
Jul 12 - Aug 28, 2019

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Liam Gillick

Denominator Platform

, 2018
Liam Gillick, Teamwork on the production line..., 2018, Kerlin Gallery

Liam Gillick


Teamwork on the production line..., 2018

matte black vinyl on wall
300 x 250 cm (118.1 x 98.4 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Teamwork on the production line...

, 2018
Liam Gillick, Consumption Channelled, 2018, Kerlin Gallery

Liam Gillick


Consumption Channelled, 2018

powder-coated aluminium,
32 x 45 x 8 cm (12.6 x 17.7 x 3.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Consumption Channelled

, 2018
Liam Gillick,  A depicted horse is not a critique of a horse..., 2018, Kerlin Gallery

Liam Gillick


A depicted horse is not a critique of a horse..., 2018

matte black vinyl on wall
300 x 250 cm (118.1 x 98.4 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

A depicted horse is not a critique of a horse...

, 2018
Liam Gillick, Restriction Channelled, 2018, Kerlin Gallery

Liam Gillick


Restriction Channelled, 2018

powder-coated aluminium
8 x 90 x 8 cm (3.1 x 35.4 x 3.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Restriction Channelled

, 2018
Liam Gillick, First fully automated production line..., 2018, Kerlin Gallery

Liam Gillick


First fully automated production line..., 2018

matte black vinyl on wall
300 x 210 cm (118.1 x 82.7 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

First fully automated production line...

, 2018
Liam Gillick, Expansion Channelled, 2018, Kerlin Gallery

Liam Gillick


Expansion Channelled, 2018

powder-coated aluminium
16 x 45 x 8 cm (6.3 x 17.7 x 3.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Expansion Channelled

, 2018
Liam Gillick, Return on capital employed..., 2018, Kerlin Gallery

Liam Gillick


Return on capital employed..., 2018

matte black vinyl on wall
300 x 210 cm (118.1 x 82.7 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Return on capital employed...

, 2018
Liam Gillick, Liability Channelled, 2018, Kerlin Gallery

Liam Gillick


Liability Channelled, 2018

powder-coated aluminium
32 x 90 x 8 cm (12.6 x 35.4 x 3.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Liability Channelled

, 2018
Liam Gillick,  Neo-classical economics..., 2018, Kerlin Gallery

Liam Gillick


Neo-classical economics..., 2018

matte black vinyl on wall
300 x 230 cm (118.1 x 90.6 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Neo-classical economics...

, 2018
Liam Gillick, Refusal Channelled, 2018, Kerlin Gallery

Liam Gillick


Refusal Channelled, 2018

powder-coated aluminium
16 x 90 x 8 cm (6.3 x 35.4 x 3.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Refusal Channelled

, 2018
Liam Gillick, Means of consumption..., 2018, Kerlin Gallery

Liam Gillick


Means of consumption..., 2018

matte black vinyl on wall
300 x 170 cm (118.1 x 66.9 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Means of consumption...

, 2018
Liam Gillick, Critical tiles..., 2018, Kerlin Gallery

Liam Gillick


Critical tiles..., 2018

matte black vinyl on wall
300 x 300 cm (118.1 x 118.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Critical tiles...

, 2018
Liam Gillick, Contagion Channelled, 2018, Kerlin Gallery

Liam Gillick


Contagion Channelled, 2018

powder-coated aluminium
16 x 180 x 8 cm (6.3 x 70.9 x 3.1 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

Contagion Channelled

, 2018
Liam Gillick, What is a mirror for?, 2018, Kerlin Gallery

Liam Gillick


What is a mirror for?, 2018

matte black vinyl on wall
300 x 740 cm (118.1 x 291.3 in)


Kerlin Gallery
A Depicted Horse is not a Critique of a Horse
Nov 23 - Jan 19, 2019

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Liam Gillick

What is a mirror for?

, 2018
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