follow
Guns and Butter (Nia in The Morehouse Creed), 2022
C-print mounted on sintra
Image Dimensions: 30 x 40 inches (76.2 x 101.6 cm) Framed Dimensions: 37 1/2 x 47 1/2 x 2 inches (95.3 x 120.7 x 5.1 cm)
Edition of 3
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Guns and Butter (Nia in The Morehouse Creed)
, 2022 Tilton Gallery
follow
Across the Universe (Frontlash), 2022
Acrylic, Yule Quarry marble dust, and paper bags on canvas with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
74 1/2 x 75 3/4 x 9 1/4 inches (189.2 x 192.4 x 23.5 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Across the Universe (Frontlash)
, 2022 Tilton Gallery
follow
Sweet Lorraine (Revolutionary Activity), 2022
Acrylic, Yule Quarry marble dust, and paper bags on canvas and textile mounted on a handcrafted wood awning structure with brass hooks and grommets
67 x 76 1/2 x 10 1/2 inches (170.2 x 194.3 x 26.7 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Sweet Lorraine (Revolutionary Activity)
, 2022 Tilton Gallery
follow
Emerald City (Get 'Em! Get the Last Ones!), 2022
Acrylic, Yule Quarry marble dust, paper bags, and embroidery floss on gauze, textile, linen, and canvas with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
83 1/2 x 100 1/2 x 10 inches (212.1 x 255.3 x 25.4 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Emerald City (Get 'Em! Get the Last Ones!)
, 2022 Tilton Gallery
follow
Second Day (Nia in The Emerald City), 2022
C-print mounted on sintra
Image Dimensions: 40 x 30 inches (101.6 x 76.2 cm) Framed Dimensions: 47 1/2 x 37 1/2 x 2 inches (120.7 x 95.3 x 5.1 cm)
Edition of 3
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Second Day (Nia in The Emerald City)
, 2022 Tilton Gallery
follow
The Morehouse Creed (Participation in Prosperity), 2022
Acrylic, Yule Quarry marble dust, and paper bags on textile, gauze, and canvas with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
84 x 106 x 9 1/4 inches (213.4 x 269.2 x 23.5 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
The Morehouse Creed (Participation in Prosperity)
, 2022 Tilton Gallery
follow
Golden Hour (Completing the Fair Deal), 2022
Acrylic, Yule Quarry marble dust, and paper bags on canvas with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
76 1/2 x 76 1/2 x 9 inches (194.3 x 194.3 x 22.9 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Golden Hour (Completing the Fair Deal)
, 2022 Tilton Gallery
follow
Day Glow (Backlash), 2022
Acrylic, Yule Quarry marble dust, and paper bags on canvas, linen, and textile with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
76 1/4 x 77 1/2 x 9 inches (193.7 x 196.9 x 22.9 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Day Glow (Backlash)
, 2022 Tilton Gallery
follow
A Frustrating Paradox (The New Frontier), 2022
Acrylic, Yule Quarry marble dust, and paper bags on acrylic yarn fiber with pvc marine vinyl mounted on a handcrafted wood frame, marble
54 x 41 x 4 inches (137.2 x 104.1 x 10.2 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
A Frustrating Paradox (The New Frontier)
, 2022 Tilton Gallery
follow
I see Fields of Green (Put the Ball Through the Hoop), 2022
Acrylic, Yule Quarry marble dust, and paper bags on canvas with pvc marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets
85 1/4 x 86 1/2 x 9 1/2 inches (216.5 x 219.7 x 24.1 cm)
© Tomashi Jackson
Courtesy Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
I see Fields of Green (Put the Ball Through the Hoop)
, 2022 Tilton Gallery
follow
Upright, Colored, and Free, 2017
Mixed media on wood frame
190.5 x 137.2 x 25.4 cm (75 x 54 x 10 inches)
© Tomashi Jackson
Courtesy the artist and Tilton Gallery, New York
for more information about this artwork
Tomashi Jackson
Upright, Colored, and Free
, 2017 Hauser & Wirth
follow
Among Fruits (Big Shane and the Farmer), 2021
Acrylic, wampum dust, and soil from the Parrish Art Museum grounds, a former potato field, on canvas, paper potato bags, and paper bags with archival prints on PVC marine vinyl mounted on a handcrafted walnut awning structure with brass hooks and gro
237.5 x 163.8 x 31.1 cm (93 1/2 x 64 1/2 x 12 1/4 in)
© Tomashi Jackson - Photo: Thomas Barratt
Courtesy the artist and Hauser & Wirth
for more information about this artwork
Tomashi Jackson
Among Fruits (Big Shane and the Farmer)
, 2021 Hauser & Wirth
follow
Redefined Redline (Seneca Village, Arturo Shomburg, Mr. Dorce) (Requiem for my Adams Blvd.), 2019
Acrylic, oil, image transfer, and buttons on paper and muslin with digital prints on vinyl
58 x 54 inches (147 x 137 cm)
© Tomashi Jackson
Courtesy Matthew Marks Gallery
for more information about this artwork
Tomashi Jackson
Redefined Redline (Seneca Village, Arturo Shomburg, Mr....
, 2019 Matthew Marks Gallery
follow
TBC, 2019
acrylic, oil, buttons, and image transfer on paper and muslin
60.5 x 47 inches (153.7 x 119.4 cm)
© Tomashi Jackson - Photo: Matthew Herrmann
for more information about this artwork
Tomashi Jackson
TBC
, 2019 Lehmann Maupin
|
|
