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The fallout of being present, or The squatters (Socks meet Hammons’ Untitled (Night Train) (1989)), 2020

Wood, latex, resin, synthetic fur, paint, animatronics
10.2 x 50.8 x 34.3 cm
 (4 x 20 x 13 1/2 in)
© Ryan Gander

Courtesy Lisson Gallery
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Ryan Gander

The fallout of being present, or The squatters (Socks meet...
, 2020 Lisson Gallery
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These memories are not my own, 2020
Vending machine, stones, jesmonite, graphite, graphene
183.5 x 80 x 94 cm (72 1/8 x 31 1/2 x 37 in)
Edition 1 of 1 + 1 AP
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
These memories are not my own
, 2020 Lisson Gallery
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These memories are not my own, 2020 (detail)
Vending machine, stones, jesmonite, graphite, graphene
183.5 x 80 x 94 cm (72 1/8 x 31 1/2 x 37 in)
Edition 1 of 1 + 1 AP
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
These memories are not my own
, 2020 Lisson Gallery
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By physical or cognitive means (Broken Window Theory 13 May), 2019-2020
Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, black gaffe/duct tape
200 x 148 x 7.5 cm (78 5/8 x 58 1/4 x 2 7/8 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
By physical or cognitive means (Broken Window Theory 13 May)
, 2019-2020 Lisson Gallery
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By physical or cognitive means (Broken Window Theory 22 June), 2019–2020
Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, duct tape
180 x 135 x 7.5 cm (70 3/4 x 53 1/8 x 2 7/8 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
By physical or cognitive means (Broken Window Theory 22...
, 2019–2020 Lisson Gallery
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By physical or cognitive means (Broken Window Theory 1 July), 2019-2020
Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, black gaffe/duct tape
120 x 95 x 7.5 cm (47 1/8 x 37 3/8 x 2 7/8 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
By physical or cognitive means (Broken Window Theory 1 July)
, 2019-2020 Lisson Gallery
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Bit Part Player (Balthazar, Merchant of Venice; Act 3, Scene 4), 2019-2020
Graphite, fibreglass, resin, cotton t-shirt and joggers
Figure: 183 x 65 x 47 cm (72 x 25 1/2 x 18 1/2 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Bit Part Player (Balthazar, Merchant of Venice; Act 3,...
, 2019-2020 Lisson Gallery
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Bit Part Player (Balthazar, Merchant of Venice; Act 3, Scene 4), 2019-2020 (detail)
Graphite, fibreglass, resin, cotton t-shirt and joggers
Figure: 183 x 65 x 47 cm (72 x 25 1/2 x 18 1/2 in)
© Ryan Gander
Courtesy Lisson Gallery
for more information about this artwork
Ryan Gander
Bit Part Player (Balthazar, Merchant of Venice; Act 3,...
, 2019-2020 Lisson Gallery
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Bit Part Player (Balthazar, Merchant of Venice; Act 3, Scene 4), 2019-2020 (detail)
Graphite, fibreglass, resin, cotton t-shirt and joggers
Figure: 183 x 65 x 47 cm (72 x 25 1/2 x 18 1/2 in)
© Ryan Gander
Courtesy Lisson Gallery
for more information about this artwork
Ryan Gander
Bit Part Player (Balthazar, Merchant of Venice; Act 3,...
, 2019-2020 Lisson Gallery
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Bit Part Player (Balthazar, Merchant of Venice; Act 3, Scene 4), 2019-2020 (detail)
Graphite, fibreglass, resin, cotton t-shirt and joggers
Figure: 183 x 65 x 47 cm (72 x 25 1/2 x 18 1/2 in)
© Ryan Gander
Courtesy Lisson Gallery
for more information about this artwork
Ryan Gander
Bit Part Player (Balthazar, Merchant of Venice; Act 3,...
, 2019-2020 Lisson Gallery
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'The End', 2020
Animatronics Room: variable dimensions
Mouse unit: 19.5 x 24 x 22 cm (7 5/8 x 9 3/8 x 8 5/8 in) - Room: variable dimensions
Edition of 2 of 3 + 1 AP
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
'The End'
, 2020 Lisson Gallery
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'The End', 2020 (detail)
Animatronics Room: variable dimensions
Mouse unit: 19.5 x 24 x 22 cm (7 5/8 x 9 3/8 x 8 5/8 in) - Room: variable dimensions
Edition of 2 of 3 + 1 AP
© Ryan Gander
Courtesy Lisson Gallery
for more information about this artwork
Ryan Gander
'The End'
, 2020 Lisson Gallery
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'The End', 2020 (detail)
Animatronics Room: variable dimensions
Mouse unit: 19.5 x 24 x 22 cm (7 5/8 x 9 3/8 x 8 5/8 in) - Room: variable dimensions
Edition of 2 of 3 + 1 AP
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
'The End'
, 2020 Lisson Gallery
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Staccato Refractions, 2020
Infototem sign, glass lens and Monstera deliciosa plants
Dimensions variable. Infototem sign: 70 x 196 x 55 cm (27 1/2 x 77 1/8 x 21 1/2 in)
Edition of 1 of 1 + 1 AP
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Staccato Refractions
, 2020 Lisson Gallery
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Goodnight London, or The squatters (Misty meet Floyer’s Mirror Globe), 2020
Animatronic cat (ginger)
12.7 x 40.6 x 30.5 cm (5 x 16 x 12 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Goodnight London, or The squatters (Misty meet Floyer’s...
, 2020 Lisson Gallery
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Goodnight London, or The squatters (Misty meet Floyer’s Mirror Globe), 2020 (detail)
Animatronic cat (ginger)
12.7 x 40.6 x 30.5 cm (5 x 16 x 12 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Goodnight London, or The squatters (Misty meet Floyer’s...
, 2020 Lisson Gallery
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Sowing confusion amongst the titles, or The squatters (Tiger meet Hiller’s Lucidity & Intuition: Homage to Gertrude Stein (2011)), 2020
Animatronic cat (grey)
10.8 x 66 x 40.6 cm (4 1/4 x 26 x 16 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Sowing confusion amongst the titles, or The squatters...
, 2020 Lisson Gallery
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Memetic absence, or The squatters (Caesar meet Wentworth’s Man and the Animals #2 (1991)), 2020
Animatronic cat (white)
12.7 x 40.6 x 30.5 cm (5 x 16 x 12 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Memetic absence, or The squatters (Caesar meet...
, 2020 Lisson Gallery
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Memetic absence, or The squatters (Caesar meet Wentworth’s Man and the Animals #2 (1991)), 2020 (detail)
Animatronic cat (white)
12.7 x 40.6 x 30.5 cm (5 x 16 x 12 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Memetic absence, or The squatters (Caesar meet...
, 2020 Lisson Gallery
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Memetic absence, or The squatters (Caesar meet Wentworth’s Man and the Animals #2 (1991)), 2020 (detail)
Animatronic cat (white)
12.7 x 40.6 x 30.5 cm (5 x 16 x 12 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Memetic absence, or The squatters (Caesar meet...
, 2020 Lisson Gallery
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Letter to a young artist, 2019-2020
Discarded letter
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Letter to a young artist
, 2019-2020 Lisson Gallery
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I’m never coming back to London again, 2017
Animatronics, Euro notes, plaster, speaker, audio file
Dimensions variable
© Ryan Gander / VG Bild-Kunst, Bonn, 2020 - Photo: Roman März
Courtesy the artist and Esther Schipper, Berlin
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Ryan Gander
I’m never coming back to London again
, 2017 Esther Schipper
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I’m never coming back to London again, 2017 (detail)
Animatronics, Euro notes, plaster, speaker, audio file
Dimensions variable
© Ryan Gander / VG Bild-Kunst, Bonn, 2020 - Photo: Roman März
Courtesy the artist and Esther Schipper, Berlin
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Ryan Gander
I’m never coming back to London again
, 2017 Esther Schipper
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A Moving Object, or Triple bottom line, 2017
Enamel paint on bronze
2.5 x 16.5 x 8 cm (1 x 6 1/2 x 3 1/8 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
A Moving Object, or Triple bottom line
, 2017 Lisson Gallery
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Group Portrait - A gaggle of six producers during studio school trip lying on the floor of Le Plateau, Paris, 9th of October, 2013 prior to the opening of the exhibition Make Every Show Like It’s Your Last., 2016
Acrylic on glass
198.6 x 82.5 x 2.5 cm (78 1/4 x 32 1/2 x 1 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Group Portrait - A gaggle of six producers during studio...
, 2016 Lisson Gallery
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This is Creative Play, This involves some Risk Taking - Auto Abstraction, 2016
Stained pine on cherry plywood
Dimensions variable
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
This is Creative Play, This involves some Risk Taking -...
, 2016 Lisson Gallery
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View from the studio window (28th February 2018), 2018
HD screens, PC, plywood, steel, acrylic, window frosting, paint, window fixtures
122.5 x 145.9 x 33 cm (48 1/8 x 57 3/8 x 12 7/8 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
View from the studio window (28th February 2018)
, 2018 Lisson Gallery
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On slow Obliteration, or Very grown up, 2018
18 panel, small dot, black dot on silver flip dot panel, powder coated aluminium tray frame, rub down transfer
Installed: 85.3 x 85.3 x 8.4 cm (33 1/2 x 33 1/2 x 3 1/4 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
On slow Obliteration, or Very grown up
, 2018 Lisson Gallery
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I be...(xxi), 2019
Antique mirror, marble resin
Mirror: 55 x 55 x 6 cm (21 5/8 x 21 5/8 x 2 1/4 in)
Overall dims: 103 x 56 x 17 cm (40 1/2 x 22 x 6 5/8 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
I be...(xxi)
, 2019 Lisson Gallery
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Agent of Happenstance, 2019
LED holographic display
45.5 x 45.5 x 9 cm (17 7/8 x 17 7/8 x 3 1/2 in)
© Ryan Gander
Courtesy Lisson Gallery
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Ryan Gander
Agent of Happenstance
, 2019 Lisson Gallery
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By physical or cognitive means (Broken Window Theory 25th March), 2019
Ink on paper, emulsion paint, aluminium frame, reinforced broken glass, duct tape
180 x 135 x 7 cm (70 3/4 x 53 1/8 x 2 3/4 in)
© Ryan Gander
Courtesy Lisson Gallery
for more information about this artwork
Ryan Gander
By physical or cognitive means (Broken Window Theory 25th...
, 2019 Lisson Gallery
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