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Sans titre, 1990
torn posters on billboard
300 x 400 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans titre
, 1990 Galerie Max Hetzler
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Echelle optométrique, 1964/1990
paint on wooden panel
197 x 186 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Echelle optométrique
, 1964/1990 Galerie Max Hetzler
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Sans Titre (photographie hypnagogique), 1948 / print from 1989
B&W photograph on aluminium
60,5 x 44 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans Titre (photographie hypnagogique)
, 1948 / print from 1989 Galerie Max Hetzler
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Soto, 1966
torn posters on canvas
104 x 143 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Soto
, 1966 Galerie Max Hetzler
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Stella déformé, 1989
cibachrome on aluminium
139,5 x 100 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Stella déformé
, 1989 Galerie Max Hetzler
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Stella déformé, 1989
B&W photographs on aluminium, 6 parts
46,5 x 60 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Stella déformé
, 1989 Galerie Max Hetzler
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Sans titre (ruines de St Malo et Dinard), 1944
vintage B&W photograph
9 x 6 cm, 30 x 25 cm framed
packed in 1 box (#9150)
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans titre (ruines de St Malo et Dinard)
, 1944 Galerie Max Hetzler
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Sans titre (ruines de St Malo et Dinard), 1944
vintage B&W photograph
9 x 6 cm, 30 x 25 cm framed
packed in 1 box (#9150)
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans titre (ruines de St Malo et Dinard)
, 1944 Galerie Max Hetzler
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Sans titre (ruines de St Malo et Dinard), 1944
vintage B&W photograph
9 x 6 cm, 30 x 25 cm framed
packed in 1 box (#9150)
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans titre (ruines de St Malo et Dinard)
, 1944 Galerie Max Hetzler
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Sans titre (ruines de St Malo et Dinard), 1944
vintage B&W photograph
9 x 6 cm, 30 x 25 cm framed
packed in 1 box (#9150)
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans titre (ruines de St Malo et Dinard)
, 1944 Galerie Max Hetzler
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Noeud borroméen, selon Lacan, 2005
neon tubes, metal
123 x 130 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Noeud borroméen, selon Lacan
, 2005 Galerie Max Hetzler
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L’invention du réel, selon Lacan, 2005
neon tubes, metal
110 x 110 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
L’invention du réel, selon Lacan
, 2005 Galerie Max Hetzler
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Chaine borroméenne « rigide », selon Lacan, 2005
neon tubes, metal
110 x 125 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Chaine borroméenne « rigide », selon Lacan
, 2005 Galerie Max Hetzler
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Retournement, selon Lacan, 2005
neon tubes, metal
75 x 125 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Retournement, selon Lacan
, 2005 Galerie Max Hetzler
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Non équivalence par inversion du rouge et du vert, selon Lacan, 2005
neon tubes, metal
110 x 120 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Non équivalence par inversion du rouge et du vert, selon...
, 2005 Galerie Max Hetzler
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Forme pliée dans le noeud à quatre, selon Lacan, 2005
neon tubes, metal
110 x 100 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Forme pliée dans le noeud à quatre, selon Lacan
, 2005 Galerie Max Hetzler
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Le tore, selon Lacan, 2005
neon tubes, metal
100 x 120 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Le tore, selon Lacan
, 2005 Galerie Max Hetzler
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Noeud à trois erroné, selon Lacan, 2005
neon tubes, metal
110 x 105 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Noeud à trois erroné, selon Lacan
, 2005 Galerie Max Hetzler
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Figure placée, selon Lacan, 2005
neon tubes, metal
110 x 110 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Figure placée, selon Lacan
, 2005 Galerie Max Hetzler
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L’erreur corrigée là où elle se produit, selon Lacan, 2005
neon tubes, metal
110 x 120 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
L’erreur corrigée là où elle se produit, selon Lacan
, 2005 Galerie Max Hetzler
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Serra-Serralves, 1999
colour photograph on aluminium
54 x 80 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Serra-Serralves
, 1999 Galerie Max Hetzler
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Serra-Serralves, 1999
colour photograph on aluminium
54 x 80 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Serra-Serralves
, 1999 Galerie Max Hetzler
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Serra-Serralves, 1999
colour photograph on aluminium
54 x 80 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Serra-Serralves
, 1999 Galerie Max Hetzler
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Serra-Serralves, 1999
colour photograph on aluminium
54 x 80 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Serra-Serralves
, 1999 Galerie Max Hetzler
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Serra-Serralves, 1999
colour photograph on aluminium
54 x 80 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Serra-Serralves
, 1999 Galerie Max Hetzler
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Yves aux Azulejos, 2000
'macintoshage' (photographic print from a digital file)
120 x 150 cm
edition of 3
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Yves aux Azulejos
, 2000 Galerie Max Hetzler
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Sans titre, 1966
torn posters on metal
200 x 100 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
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Raymond Hains
Sans titre
, 1966 Galerie Max Hetzler
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Equivalence par inversion du rouge et du vert, selon Lacan, 2005
neon tubes, metal
120 x 65 x 17 cm
© Estate of Raymond Hains - Photo: def-image.com
Courtesy of the Estate of Raymond Hains and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Raymond Hains
Equivalence par inversion du rouge et du vert, selon Lacan
, 2005 Galerie Max Hetzler
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