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C, A, N, D, Y (from left to right, all 2017), 2017
Oil on canvas (each)
each 200 x 110 cm (each 78.7 x 43.3 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
C, A, N, D, Y (from left to right, all 2017)
, 2017 The Modern Institute
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1995, 2017
Epson print mounted on aluminium, aluminium frame, glass
129 x 91 cm (50.8 x 35.8 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
1995
, 2017 The Modern Institute
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2016, 2017
Cast lead
80 x 80 x 2 cm (31.5 x 31.5 x 0.8 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
2016
, 2017 The Modern Institute
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Screamadelica II, 2017
Spraypaint on burlap, wooden frame, barbed wire
46 x 46 cm (18.1 x 18.1 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Screamadelica II
, 2017 The Modern Institute
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Liberté est le Crime qui Contient tous les Crimes (Liberty Is The Crime that Contains all Crimes), 2017
Epson print on canvas, oil paint, wooden frame
140 x 200 cm (55.1 x 78.7 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Liberté est le Crime qui Contient tous les Crimes (Liberty...
, 2017 The Modern Institute
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Crisis Tourism II, 2017
Epson print mounted on aluminium, plastic frame
70.5 x 50.5 cm (27.8 x 19.9 in)
Edition of 2 + 1 AP
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Crisis Tourism II
, 2017 The Modern Institute
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Woman with a Parasol in a Garden, 2017
Epson print mounted on aluminium, aluminium frame, glass
128 x 91 cm (50.4 x 35.8 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Woman with a Parasol in a Garden
, 2017 The Modern Institute
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Entropy in the U.K., 2017
Epson print mounted on aluminium, aluminium frame, glass
91 x 128 cm (35.8 x 50.4 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Entropy in the U.K.
, 2017 The Modern Institute
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Invasion, 2017
Xerox print, vinyl adhesive, plastic frame
80 x 80 cm (31.5 x 31.5 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Invasion
, 2017 The Modern Institute
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Gentrified Psychedelia III, 2017
Spraypaint on velvet, morrocan linen, mounted
130 x 120 x 3 cm (51.2 x 47.2 x 1.2 in)
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Gentrified Psychedelia III
, 2017 The Modern Institute
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Crisis Tourism I, 2017
Epson print mounted on aluminium, plastic frame
71 x 51 cm (28 x 20.1 in)
Edition of 2 + 1 AP
© Tobias Madison - Photo: Max Slaven
Courtesy of the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Crisis Tourism I
, 2017 The Modern Institute
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Life and the Invitation, 2014
Painted panels, metal framework
525 x 1,255 x 37 cm
© the artists - Photo: Max Slaven
Courtesy the artists and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison, Emanuel Rossetti, Stefan Tcherepnin
Life and the Invitation
, 2014 The Modern Institute
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From Empathy to Angst, 2014
Leak diverter, pump, iodine, aluminium, plastic hose
Metal structure: 200 x 60 x 3 cm; Tray: 93 x 56 x 18 cm; Hose: Dimensions variable; Plastic sheet: 200 cm x 200 cm; Installed dimensions variable
© Tobias Madison - Photo: Max Slaven
Courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
From Empathy to Angst
, 2014 The Modern Institute
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Gateshifter, 2014
Vinyl, zippers, iodine
117 x 400 x 80 cm
© Tobias Madison - Photo: Max Slaven
Courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Gateshifter
, 2014 The Modern Institute
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The Dimension Where Flesh and Metal Have Always Been the Same Thing, 2014
Stainless steel, metal basket, painted aluminum, electronics
44 x 40 x 28 cm
© Tobias Madison - Photo: Max Slaven
Courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
The Dimension Where Flesh and Metal Have Always Been the...
, 2014 The Modern Institute
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Kill Everything, 2014
Vinyl, iodine, resin
224 x 345 x 10 cm
© Tobias Madison - Photo: Max Slaven
Courtesy the artist and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison
Kill Everything
, 2014 The Modern Institute
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&&&, 2014
Assorted metals and hardware
Part A: 302 cm; Part B: 110 x 2 cm; Part C: 840 cm Installed dimensions variable
© the artists - Photo: Max Slaven
Courtesy the artists and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison, Emanuel Rossetti, Stefan Tcherepnin
&&&
, 2014 The Modern Institute
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&&&, 2014
Assorted metals and hardware
Part A: 302 cm; Part B: 110 x 2 cm; Part C: 840 cm Installed dimensions variable
© the artists - Photo: Max Slaven
Courtesy the artists and The Modern Institute/Toby Webster Ltd, Glasgow
for more information about this artwork
Tobias Madison, Emanuel Rossetti, Stefan Tcherepnin
&&&
, 2014 The Modern Institute
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&&&, 2014
Assorted metals and hardware
746 cm
© the artists - Photo: Max Slaven
Courtesy the artists and The Modern Institute/Toby Webster Ltd, Glasgow
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Tobias Madison, Emanuel Rossetti, Stefan Tcherepnin
&&&
, 2014 The Modern Institute
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&&&, 2014
Assorted metals and hardware
746 cm
© the artists - Photo: Max Slaven
Courtesy the artists and The Modern Institute/Toby Webster Ltd, Glasgow
for more information about this artwork
Tobias Madison, Emanuel Rossetti, Stefan Tcherepnin
&&&
, 2014 The Modern Institute
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The Living Theatre of Death: Frankenstein, 2013
plastic foil, plastic containers, water hose, aluminum pan, gardening computer, pump, pipes, swimming pool paint, mp3 player, amplifier, stereo transducers
Dimensions variable
Unique
© Tobias Madison, Flavio Merlo
Courtesy Supportico Lopez, Berlin
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Tobias Madison, Flavio Merlo
The Living Theatre of Death: Frankenstein
, 2013 Supportico Lopez
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The Living Theatre of Death: Frankenstein (detail), 2013 (detail)
plastic foil, plastic containers, water hose, aluminum pan, gardening computer, pump, pipes, swimming pool paint, mp3 player, amplifier, stereo transducers
Dimensions variable
Unique
© Tobias Madison, Flavio Merlo
Courtesy Supportico Lopez, Berlin
for more information about this artwork
Tobias Madison, Flavio Merlo
The Living Theatre of Death: Frankenstein (detail)
, 2013 Supportico Lopez
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The Living Theatre of Death: Frankenstein (detail), 2013 (detail)
plastic foil, plastic containers, water hose, aluminum pan, gardening computer, pump, pipes, swimming pool paint, mp3 player, amplifier, stereo transducers
Dimensions variable
Unique
© Tobias Madison, Flavio Merlo
Courtesy Supportico Lopez, Berlin
for more information about this artwork
Tobias Madison, Flavio Merlo
The Living Theatre of Death: Frankenstein (detail)
, 2013 Supportico Lopez
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The Living Theatre of Death: Frankenstein (detail), 2013 (detail)
plastic foil, plastic containers, water hose, aluminum pan, gardening computer, pump, pipes, swimming pool paint, mp3 player, amplifier, stereo transducers
Dimensions variable
Unique
© Tobias Madison, Flavio Merlo
Courtesy Supportico Lopez, Berlin
for more information about this artwork
Tobias Madison, Flavio Merlo
The Living Theatre of Death: Frankenstein (detail)
, 2013 Supportico Lopez
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The Living Theatre of Death: Frankenstein (detail), 2013 (detail)
plastic foil, plastic containers, water hose, aluminum pan, gardening computer, pump, pipes, swimming pool paint, mp3 player, amplifier, stereo transducers
Dimensions variable
Unique
© Tobias Madison, Flavio Merlo
Courtesy Supportico Lopez, Berlin
for more information about this artwork
Tobias Madison, Flavio Merlo
The Living Theatre of Death: Frankenstein (detail)
, 2013 Supportico Lopez
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No, 2013
Cardboard box, electrical wire and light bulbs
10 1/2 x 17 1/2 x 10 1/2 inches (26.7 x 44.5 x 26.7 cm)
© Tobias Madison and Emanuel Rossetti
Courtesy Metro Pictures, New York
for more information about this artwork
Tobias Madison and Emanuel Rossetti
No
, 2013 Metro Pictures
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