Rina Banerjee


Rina Banerjee solo shows (5)


 

Rina Banerjee group shows (13)


 

artworks by Rina Banerjee (69)


 
Rina Banerjee, Mother gathered Three or no more dirty black stones, tossed them to sky that could break what had hardened her ground and without frown or flirt of flower father like grease or butter slipped aside to free her from forty and some more grown men who h, 2017, Rhona Hoffman Gallery

Rina Banerjee


Mother gathered Three or no more dirty black stones, tossed them to sky that could break what had hardened her ground and without frown or flirt of flower father like grease or butter slipped aside to free her from forty and some more grown men who h, 2017

Acrylic on two wood panels with sequin fabric collage
80 x 40 x 2 inches


Rhona Hoffman Gallery
Women on the Verge
Curated by Lisa Wainwright
Oct 27 - Dec 15, 2023

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Rina Banerjee

Mother gathered Three or no more dirty black stones, tossed...

, 2017
Rina Banerjee, Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped,- dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her... , 2018 , Galerie Nathalie Obadia

Rina Banerjee


Wedding thieves, they stole her away on that blessed day, full that was a day full of frills and ruffles, borders draped,- dragged, pinched to anchor, barefoot petticoat and chemise, shoulder pads and anklets, stole her from her family, waked her... , 2018

Gourd, horn, glass bead, thread, copper crochet, copper wire, Murano glass beads
85 x 79 x 49 cm (33 15/32 x 313/32 x 19 9/32 in.)


Galerie Nathalie Obadia
ASIA NOW
Booth A101
Oct 21 - Oct 24, 2021

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Rina Banerjee

Wedding thieves, they stole her away on that blessed day,...

, 2018
Rina Banerjee , In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared, 2017 , Galerie Nathalie Obadia

Rina Banerjee


In noiseless soils underground, a distanced poor from below touch fine air rooted in piles upon piles weeded and watered to then have no light shared, 2017

Steel armature, feathers, fabric, glass beads, thread, shells, gourds, silver leafing
51 3/16 x 41 11/32 x 17 23/32 inches (130 x 105 x 45 cm


Galerie Nathalie Obadia
Summer show
Jun 12 - Jul 17, 2021

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Rina Banerjee

In noiseless soils underground, a distanced poor from below...

, 2017
Rina Banerjee , Winds and Grassy sky took peacock throne from Delhi to mushroom dome in my vicinity as geograpghy without place,names, locations in world, without addresses and as did real estate waited in costal crevices for commerece's designs, irresponsible and a, 2020 , Galerie Nathalie Obadia

Rina Banerjee


Winds and Grassy sky took peacock throne from Delhi to mushroom dome in my vicinity as geograpghy without place,names, locations in world, without addresses and as did real estate waited in costal crevices for commerece's designs, irresponsible and a, 2020

Watercolor and ink on paper



Galerie Nathalie Obadia
Summer show
Jun 12 - Jul 17, 2021

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Rina Banerjee

Winds and Grassy sky took peacock throne from Delhi to...

, 2020
Rina Banerjee , In making America, In Civilizing nature, taking it out, to sell, the Indian in conquest to its east and it’s west, with prickly feet like antler tips broke bark, opened, entered, wildly and loudly like sour pickle, tuned instruments to tell truth..., 2020 , Galerie Nathalie Obadia

Rina Banerjee


In making America, In Civilizing nature, taking it out, to sell, the Indian in conquest to its east and it’s west, with prickly feet like antler tips broke bark, opened, entered, wildly and loudly like sour pickle, tuned instruments to tell truth..., 2020

Metal, rice paper, glass, sequins, cotton, horn wire, porcelain, silver leaf
100 x 58 x 55 cm


Galerie Nathalie Obadia
High Emission Zone
Feb 11 - Apr 17, 2021

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Rina Banerjee

In making America, In Civilizing nature, taking it out, to...

, 2020
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