![Loris Gréaud , [I], 2016 , Galerie Max Hetzler](/upload/medium/11279_11.jpg "Loris Gréaud , [I], 2016 , Galerie Max Hetzler")
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[I], 2016
handmade granite sculpture
130 x 120 x 10 cm (51 1/8 x 47 1/4 x 4 in.)
© Loris Gréaud - Photo: Charles Duprat
Courtesy Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
[I]
, 2016 Galerie Max Hetzler
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Magnum Opus, 2019
nine lead bars with gold, plexiglas case, tinted oak pedestal
170 x 18 x 18 cm (67 x 7 x 7 in.)
© Loris Gréaud - Photo: Charles Duprat
Courtesy Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Magnum Opus
, 2019 Galerie Max Hetzler
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Magnum Opus, 2019 (detail)
nine lead bars with gold, plexiglas case, tinted oak pedestal
170 x 18 x 18 cm (67 x 7 x 7 in.)
© Loris Gréaud - Photo: Charles Duprat
Courtesy Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Magnum Opus
, 2019 Galerie Max Hetzler
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Magnum Opus, 2019 (detail)
nine lead bars with gold, plexiglas case, tinted oak pedestal
170 x 18 x 18 cm (67 x 7 x 7 in.)
© Loris Gréaud - Photo: Charles Duprat
Courtesy Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Magnum Opus
, 2019 Galerie Max Hetzler
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A Place of Real Promise, 2019
lead frame sculpture
each: 28 x 23 cm (11 x 9 in.)
triptych: 28 x 130 cm (11 x 51 1/8 in.)
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
A Place of Real Promise
, 2019 Galerie Max Hetzler
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A Place of Real Promise, 2019
lead frame sculpture
each: 28 x 23 cm (11 x 9 in.)
triptych: 28 x 130 cm (11 x 51 1/8 in.)
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
A Place of Real Promise
, 2019 Galerie Max Hetzler
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What a Moth Might See from Birth to Death if Black Were White, and White Were Black?, 2002-2019
moth killer and ink on paper, black wood frame
35 x 50 x 6.5 cm (13 3/4 x 19 3/4 x 2 1/2 in.) (framed)
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
What a Moth Might See from Birth to Death if Black Were...
, 2002-2019 Galerie Max Hetzler
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MACHINE, 2017
Structure composed of oxidised metallic tubes, various sections: 3 cm, 4 cm, 6 cm and 15 cm; 68 neons (14 mm in diameter), powered by 5 transformers (230 V, 2.4 A / 50hz) through 6 mm transparent rubber-coated cables; transparent tubes;
15 polyester resin branches dyed white; neon flickering command box; black oak box; LOOK Unique haze machine, 2.1
265 x 300 x 340 cm
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
MACHINE
, 2017 Galerie Max Hetzler
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MACHINE, 2017 (detail)
Structure composed of oxidised metallic tubes, various sections: 3 cm, 4 cm, 6 cm and 15 cm; 68 neons (14 mm in diameter), powered by 5 transformers (230 V, 2.4 A / 50hz) through 6 mm transparent rubber-coated cables; transparent tubes;
15 polyester resin branches dyed white; neon flickering command box; black oak box; LOOK Unique haze machine, 2.1
265 x 300 x 340 cm
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
MACHINE
, 2017 Galerie Max Hetzler
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Study for a Solipsism, 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm
Each stoneware piece: 34,5 x 25 x 30 cm
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm
Each stoneware piece: 34,5 x 25 x 30 cm
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
Watercolour (with heroin) on Arche paper, black oak frames, museum quality anti-reflective glass
21 x 14,5 cm 34,5 x 39 x 10 cm, framed
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
watercolour (with heroin) on Arche paper, black oak frames, museum quality anti-reflective glass
21 x 14,5 cm 34,5 x 39 x 10 cm, framed
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Spores, 2018
5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass
280 x 98,5 x 65,2 cm
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Spores
, 2018 Galerie Max Hetzler
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Spores, 2018 (detail)
5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass
280 x 98,5 x 65,2 cm
© Loris Gréaud - Photo: Charles Duprat
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris/London
for more information about this artwork
Loris Gréaud
Spores
, 2018 Galerie Max Hetzler
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MACHINE, 2017
Structure composed of oxidised metallic tubes, various sections: 3 cm, 4 cm, 6 cm and 15 cm; 68 neons (14 mm in diameter), powered by 5 transformers (230 V, 2.4 A / 50hz) through 6 mm transparent rubbercoated cables; transparent tubes; 15 polyester
resin branches dyed white; neon flickering command box; black oak box; LOOK Unique haze machine, 2.1; 265 x 300 x 340 cm
edition 1 of 1, plus 1 A
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
MACHINE
, 2017 Galerie Max Hetzler
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Spores (1), 2018
5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Spores (1)
, 2018 Galerie Max Hetzler
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Spores (2), 2018
5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Spores (2)
, 2018 Galerie Max Hetzler
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Spores (3), 2018
5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Spores (3)
, 2018 Galerie Max Hetzler
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Spores (4), 2018
5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Spores (4)
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism, 2018
Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism
, 2018 Galerie Max Hetzler
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Study for a Solipsism (1), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (1)
, 2018 Galerie Max Hetzler
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Study for a Solipsism (2), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (2)
, 2018 Galerie Max Hetzler
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Study for a Solipsism (3), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (3)
, 2018 Galerie Max Hetzler
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Study for a Solipsism (4), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (4)
, 2018 Galerie Max Hetzler
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Study for a Solipsism (5), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (5)
, 2018 Galerie Max Hetzler
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Study for a Solipsism (6), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (6)
, 2018 Galerie Max Hetzler
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Study for a Solipsism (7), 2018
Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Study for a Solipsism (7)
, 2018 Galerie Max Hetzler
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Tallin, 2018
Diverse waste and other materials taken by the artist from the site of the Jägala hydroelectric power station, a few miles from Tallinn, which was the location for Tarkovsky’s film, Stalker (1979). Polyester resin, wire mesh, OBC boards, battens
Variable dimensions
© Loris Gréaud
Courtesy of the artist and Galerie Max Hetzler, Berlin/Paris
for more information about this artwork
Loris Gréaud
Tallin
, 2018 Galerie Max Hetzler
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