Loris Gréaud


Loris Gréaud solo shows (3)


 

Loris Gréaud group shows (5)


 

artworks by Loris Gréaud (28)


 
Loris Gréaud, A Place of Real Promise, 2019 , Galerie Max Hetzler

Loris Gréaud


A Place of Real Promise, 2019

lead frame sculpture
each: 28 x 23 cm (11 x 9 in.)
triptych: 28 x 130 cm (11 x 51 1/8 in.)


Galerie Max Hetzler
MADE IN FRANCE
Jul 03 - Jul 23, 2019

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Loris Gréaud

A Place of Real Promise

, 2019
Loris Gréaud, A Place of Real Promise, 2019, Galerie Max Hetzler

Loris Gréaud


A Place of Real Promise, 2019

lead frame sculpture
each: 28 x 23 cm (11 x 9 in.)
triptych: 28 x 130 cm (11 x 51 1/8 in.)


Galerie Max Hetzler
MADE IN FRANCE
Jul 03 - Jul 23, 2019

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Loris Gréaud

A Place of Real Promise

, 2019
Loris Gréaud, What a Moth Might See from Birth to Death if Black Were White, and White Were Black?, 2002-2019, Galerie Max Hetzler

Loris Gréaud


What a Moth Might See from Birth to Death if Black Were White, and White Were Black?, 2002-2019

moth killer and ink on paper, black wood frame
35 x 50 x 6.5 cm (13 3/4 x 19 3/4 x 2 1/2 in.) (framed)


Galerie Max Hetzler
MADE IN FRANCE
Jul 03 - Jul 23, 2019

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Loris Gréaud

What a Moth Might See from Birth to Death if Black Were...

, 2002-2019
Loris Gréaud, MACHINE, 2017, Galerie Max Hetzler

Loris Gréaud


MACHINE, 2017

Structure composed of oxidised metallic tubes, various sections: 3 cm, 4 cm, 6 cm and 15 cm; 68 neons (14 mm in diameter), powered by 5 transformers (230 V, 2.4 A / 50hz) through 6 mm transparent rubber-coated cables; transparent tubes;
15 polyester resin branches dyed white; neon flickering command box; black oak box; LOOK Unique haze machine, 2.1
265 x 300 x 340 cm


Galerie Max Hetzler
LADI ROGEURS: SIR LOUDRAGE – a still life
Apr 27 - Jul 21, 2018

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Loris Gréaud

MACHINE

, 2017
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm
Each stoneware piece: 34,5 x 25 x 30 cm


Galerie Max Hetzler
LADI ROGEURS: SIR LOUDRAGE – a still life
Apr 27 - Jul 21, 2018

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Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm
Each stoneware piece: 34,5 x 25 x 30 cm


Galerie Max Hetzler
LADI ROGEURS: SIR LOUDRAGE – a still life
Apr 27 - Jul 21, 2018

for more information about this artwork
contact gallery
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Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Watercolour (with heroin) on Arche paper, black oak frames, museum quality anti-reflective glass
21 x 14,5 cm 34,5 x 39 x 10 cm, framed


Galerie Max Hetzler
LADI ROGEURS: SIR LOUDRAGE – a still life
Apr 27 - Jul 21, 2018

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Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

watercolour (with heroin) on Arche paper, black oak frames, museum quality anti-reflective glass
21 x 14,5 cm 34,5 x 39 x 10 cm, framed


Galerie Max Hetzler
LADI ROGEURS: SIR LOUDRAGE – a still life
Apr 27 - Jul 21, 2018

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Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Spores, 2018, Galerie Max Hetzler

Loris Gréaud


Spores, 2018

5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass
280 x 98,5 x 65,2 cm


Galerie Max Hetzler
LADI ROGEURS: SIR LOUDRAGE – a still life
Apr 27 - Jul 21, 2018

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Loris Gréaud

Spores

, 2018
Loris Gréaud, MACHINE, 2017, Galerie Max Hetzler

Loris Gréaud


MACHINE, 2017

Structure composed of oxidised metallic tubes, various sections: 3 cm, 4 cm, 6 cm and 15 cm; 68 neons (14 mm in diameter), powered by 5 transformers (230 V, 2.4 A / 50hz) through 6 mm transparent rubbercoated cables; transparent tubes; 15 polyester
resin branches dyed white; neon flickering command box; black oak box; LOOK Unique haze machine, 2.1; 265 x 300 x 340 cm
edition 1 of 1, plus 1 A


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

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Loris Gréaud

MACHINE

, 2017
Loris Gréaud, Spores (1), 2018, Galerie Max Hetzler

Loris Gréaud


Spores (1), 2018

5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

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Loris Gréaud

Spores (1)

, 2018
Loris Gréaud, Spores (2), 2018, Galerie Max Hetzler

Loris Gréaud


Spores (2), 2018

5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

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Loris Gréaud

Spores (2)

, 2018
Loris Gréaud, Spores (3), 2018, Galerie Max Hetzler

Loris Gréaud


Spores (3), 2018

5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

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Loris Gréaud

Spores (3)

, 2018
Loris Gréaud, Spores (4), 2018, Galerie Max Hetzler

Loris Gréaud


Spores (4), 2018

5 rock sculptures, one of which is translucent, suspended by means of steel cables, held in place by stainless steel fixings. Resin rocks, matte Architecte OR NOIR paint, inclusion resin and matte fiberglass mat, sound and light system inside the
translucent rock: specially made control box with 1 USB port, 2 rotary potentiometers (volume adjustment and light bulb flashing sensitivity), 3 loud-speakers (60 W, 84,6 dB), 240 V, 2,8 W LED bulb with filament (21 W perceived), MP3 reader
280 x 98.5 x 65.2 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Spores (4)

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism, 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism, 2018

Watercolour (with heroin) on Arche paper, black oak frames, museum quality antireflective glass
Framed: 34,5 x 39 x10 cm
Unframed: 21 x 14,5 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism

, 2018
Loris Gréaud, Study for a Solipsism (1), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (1), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

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Loris Gréaud

Study for a Solipsism (1)

, 2018
Loris Gréaud, Study for a Solipsism (2), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (2), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
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Loris Gréaud

Study for a Solipsism (2)

, 2018
Loris Gréaud, Study for a Solipsism (3), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (3), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
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Loris Gréaud

Study for a Solipsism (3)

, 2018
Loris Gréaud, Study for a Solipsism (4), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (4), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism (4)

, 2018
Loris Gréaud, Study for a Solipsism (5), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (5), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism (5)

, 2018
Loris Gréaud, Study for a Solipsism (6), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (6), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
contact DailyArtFair


Loris Gréaud

Study for a Solipsism (6)

, 2018
Loris Gréaud, Study for a Solipsism (7), 2018, Galerie Max Hetzler

Loris Gréaud


Study for a Solipsism (7), 2018

Iraqi chamotte ceramics, blown up by a C-4 type plastic explosive, matte black lacquer paint. Oak boxes dyed black, black mirrors
Box: 34,5 x 34,5 x 34 cm; Each stoneware piece: 34,5 x 25 x30 cm


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

for more information about this artwork
contact gallery
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Loris Gréaud

Study for a Solipsism (7)

, 2018
Loris Gréaud, Tallin, 2018, Galerie Max Hetzler

Loris Gréaud


Tallin, 2018

Diverse waste and other materials taken by the artist from the site of the Jägala hydroelectric power station, a few miles from Tallinn, which was the location for Tarkovsky’s film, Stalker (1979). Polyester resin, wire mesh, OBC boards, battens
Variable dimensions


Galerie Max Hetzler
Ladi Rogeurs
Feb 10 - Mar 31, 2018

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Loris Gréaud

Tallin

, 2018