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(detail)
'Copy/Trace' - Curated by Jeffrey Weiss
David Zwirner, New York
May 7 – June 26, 2026
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
Courtesy David Zwirner
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Jasper Johns
David Zwirner
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Study for Skin I, 1962
Charcoal and oil on paper
22 x 34 inches (55.9 x 86.4 cm) Framed: 31 1/8 x 41 1/8 x 2 1/8 inches (79.1 x 104.5 x 5.4 cm)
The Art Institute of Chicago, Regenstein Endowment Fund, 2025.434.1
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Study for Skin I
, 1962 David Zwirner
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Untitled, 1963
Charcoal, paint, pastel, and collage on paper
42 1/2 x 30 1/8 inches (108 x 76.5 cm) Framed: 49 7/8 x 37 3/8 x 1 5/8 inches (126.7 x 94.9 x 4.1 cm)
Collection of Victoria Ganz DeFelice
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Untitled
, 1963 David Zwirner
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Tracing after Cézanne, 1994
Ink on plastic
18 1/8 x 29 1/2 inches (46 x 74.9 cm) Framed: 25 1/4 x 34 7/8 x 1 1/2 inches (64.1 x 88.6 x 3.8 cm)
Collection of the artist
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Tracing after Cézanne
, 1994 David Zwirner
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Untitled, 2015
Watercolor monotype on paper
39 1/2 x 31 5/8 inches (100.3 x 80.3 cm) Framed: 47 x 38 3/4 x 1 5/8 inches (119.4 x 98.4 x 4.1 cm)
Glenstone Museum
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Untitled
, 2015 David Zwirner
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Target with Four Faces, 1968
Graphite pencil, charcoal, and pastel over screenprint on paper
34 1/2 x 29 3/4 inches (87.6 x 75.6 cm) Framed: 40 1/2 x 35 1/4 x 1 1/2 inches (102.9 x 89.5 x 3.8 cm)
Harvard Art Museums/Fogg Museum, Loan from Collection Jean-Christophe Castelli, Class of 1985
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Target with Four Faces
, 1968 David Zwirner
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Painting with Two Balls, 1971
Crayon on plastic
37 1/4 x 31 1/2 inches (94.7 x 80 cm) Framed: 41 1/8 x 35 3/8 x 1 1/2 inches (104.5 x 89.8 x 3.8 cm)
Collection of the artist
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Painting with Two Balls
, 1971 David Zwirner
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Device, 1962
Ink on plastic
24 x 18 inches (61 x 45.7 cm) Framed: 29 1/2 x 23 3/4 x 1 1/8 inches (74.9 x 60.3 x 2.9 cm)
Collection of Barbara Bertozzi Castelli
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
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Jasper Johns
Device
, 1962 David Zwirner
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Perilous Night, 1990
Watercolor and ink on paper
31 x 22 1/2 inches (78.7 x 57.1 cm) Framed: 40 3/8 x 30 7/8 x 2 inches (101.6 x 78.4 x 5.1 cm)
© 2026 Jasper Johns / Artists Rights Society (ARS), NY
Courtesy of Margaret Leng Tan
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Jasper Johns
Perilous Night
, 1990 David Zwirner
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Between the Clock and the Bed, 1981
Encaustic on canvas, in 3 parts (joined) 72 x 126 ¼ inches (182.9 x 320.7 cm) Museum of Modern Art, New York
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), New York Photo: © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York
Courtesy Gagosian
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Jasper Johns
Between the Clock and the Bed
, 1981 Gagosian
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Corpse and Mirror, 1974
Oil, encaustic, and collage on canvas, in 2 parts (joined) 50 x 68 1/8 inches (127 x 173 cm)
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), NY - Photo: Jamie Stukenberg, Professional Graphics, Rockford, Ill. © The Wildenstein Plattner Institute, Inc., New York, 2025
Courtesy Gagosian
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Jasper Johns
Corpse and Mirror
, 1974 Gagosian
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Untitled, 1975
Oil, encaustic, and collage on canvas, in 4 parts (joined) 50 1/8 x 50 1/8 inches (127.3 x 127.3 cm) The Broad Art Foundation
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), NY - Photo: Jamie Stukenberg, Professional Graphics, Rockford, Ill. © The Wildenstein Plattner Institute, Inc., New York, 2025
Courtesy Gagosian
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Jasper Johns
Untitled
, 1975 Gagosian
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End Paper, 1976
Oil on canvas, in 2 parts (joined) 60 x 69 1/2 inches (152.7 x 176.9 cm) Museum of Modern Art, New York
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), New York Photo: © The Museum of Modern Art/Licensed by SCALA/Art Resource, New York
Courtesy Gagosian
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Jasper Johns
End Paper
, 1976 Gagosian
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Between the Clock and the Bed, 1981
Oil on canvas, in 3 parts (joined) 72 x 126 inches (182.9 x 320 cm) National Gallery of Art, Washington D.C.
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), NY Photo: Jamie Stukenberg, Professional Graphics, Rockford, Ill. © The Wildenstein Plattner Institute, Inc., New York, 2025
Courtesy Gagosian
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Jasper Johns
Between the Clock and the Bed
, 1981 Gagosian
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Between the Clock and the Bed, 1982–83
Encaustic on canvas, in 3 parts (joined) 72 x 126 1/4 inches (182.9 x 320.7 cm) Virginia Museum of Fine Arts
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), NY - Photo: Katherine Wetzel, © Virginia Museum of Fine Arts
© Jasper Johns
Courtesy Gagosian
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Jasper Johns
Between the Clock and the Bed
, 1982–83 Gagosian
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Weeping Woman, 1975
Encaustic, charcoal, and collage on canvas, in 3 parts (joined) 50 1/8 x 102 3/8 inches (127.3 x 260 cm)
© 2025 Jasper Johns/Licensed by VAGA at Artists Rights Society (ARS), NY - Photo: Jamie Stukenberg, Professional Graphics, Rockford, Ill. © The Wildenstein Plattner Institute, Inc., New York, 2025
Courtesy Gagosian
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Jasper Johns
Weeping Woman
, 1975 Gagosian
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Sketch for Montez Singing, 1988
Charcoal on paper
29 3/4 x 20 3/4 inches (sheet) 37 9/16 x 27 13/16 x 1 1/2 inches (frame)
Signed recto
© Jasper Johns
Courtesy of the artist
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Jasper Johns
Sketch for Montez Singing
, 1988 Gladstone Gallery
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Iron, 1962
Encaustic and charcoal on wood
24.8 x 18.1 cm (9 3/4” x 7 1/8”)
© Jasper Johns/Licensed by VAGA, New York, NY - Photo: Jim Strong
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Jasper Johns
Iron
, 1962 Almine Rech
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